Carpet tiles for the rooms that have to stay quiet.
You pick a modular tile so speech and music stay clear. Weekly traffic is the wear you plan for. Replace a tile when the aisle shows it.
You put tiles in the auditorium first.
A hard floor in a tall, open room makes speech bounce. The right carpet tile takes the edge off footsteps and the chatter when the room empties. That is the job of the tile, not a roll you recarpet in ten years.
Read the auditorium page if you are specifying the main room. Halls and foyers can take tiles too. You send the rooms. We say which finish belongs where.
Replace a tile. Leave the field.
Spills, chair legs and a wet winter door all show on the same few metres. A tile job means you are not recarpeting a 600 square metre room because one run went bald. You buy the field once. You replace the wear as it comes.
Colour and pattern are a drawing exercise against the seats and the stage. We leave samples in the actual room, not a board in a different light.
Interface Transformation Oatmeal. Official tile photography.
The slab underneath has to be right.
Moisture, level and the join at the foyer decide whether tiles stay flat. Send photos and measurements first. A visit, if it is ever needed, comes after the quote.
If the foyer is vinyl planks or Comcork, the threshold has to be honest. A hidden lip at the auditorium door will show on the first Sunday.
Interface Transformation Pewter. Official tile photography.